Irrfan Khan and his wife Sutapa Sikdar in a beautiful memory, all thanks to Son Babil

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Irrfan Khan with Sutapa Sikdar. (Image courtesy: babil.i.k)

Highlight

  • Babil shared a post Monday night.
  • His post includes an old photo of his parents.
  • The duo can be seen posing adorably in the picture.

New Delhi:

Irrfan Khan and Sutapa Sikdar’s son Babil made our day by sharing a souvenir image of the late actor on Instagram. Babil, who often updates her Instagram profile with old photos of Irrfan Khan, did something similar on Monday. He took a trip back in time and snapped an old photo of the actor and his wife posing adorably for the camera. Babil accompanied the photo with a beautiful poem. “It’s true, time actually slows down in the spaces between your breaths. And once you’ve dreamed of more, how could you settle for less? Maybe, it ended because you knew it. Or maybe, because I grew up. But The sky is not so blue when the sun goes down on you, “he wrote.

Irrfan Khan died in a Mumbai hospital on April 29 at the age of 53 after a long battle with cancer.

Check out Babil’s post here:

Since Irrfan Khan’s death, Babil has been sharing beautiful old pictures of the actor on social media. In one of his previous posts, Babil posted a flashback to when Irrfan saw him perform on stage for the first time. “Probably the first time he saw me perform on stage,” he wrote.

We have chosen some old photos of Irrfan Khan posted by Babil for you, check them out here:

Newsbeep

Do you know one of the most important things my father taught me as a film student? Before going to film school, he warned me that I will have to prove myself, as Bollywood is rarely respected in world cinema and at this time I must report on Indian cinema that is beyond our controlled Bollywood. Unfortunately, it happened. Bollywood was not respected, the Indian cinema of the sixties and nineties was not known nor was there credibility of opinion. There was literally a single lecture in the world cinema segment about Indian cinema called ‘Bollywood and Beyond’, which was also held in a class full of laughter. It was difficult to even have a sensible conversation about the real Indian cinema of Satyajit Ray and K. Asif. Do you know why this is so? Because we, as an Indian audience, refuse to evolve. My father gave his life trying to elevate the art of acting in the harsh conditions of 1990s Bollywood, and sadly, for most of his journey, he was beaten at the box office by guys with six abs offering theatrical phrases and they defied the laws. of physics and reality, Photoshopped article songs, just blatant sexism and the same conventional depictions of patriarchy (and you have to understand, being beaten at the box office means that the majority of investment in Bollywood would go to winners, wrapping us in a circle vicious). Because we as an audience wanted that, we enjoyed it, all we were looking for was entertainment and security of thought, so afraid that our delicate illusion of reality would be shattered, so unacceptable of any change in perception. Any effort to explore the potential of cinema and its implications for humanity and existentialism was kept on the sidelines at best. Now there is a change, a new fragrance in the wind. A new youth, in search of a new meaning. We must stand firm, not allow this thirst for a deeper meaning to be stifled again. A strange feeling haunted when Kalki was trolled for looking like a child when she cut her hair, that’s sheer abolition of potential. (Although it bothers me that Sushant’s disappearance has now turned into a whirlwind of political debate, but if positive change is manifesting itself, in the way of the Taoist, we accept it.)

A post shared by Babil (@ babil.i.k) in

Irrfan Khan was best known for films such as Haider, Maqbool, Paan Singh Tomar, Piku Y The lunch box. He also worked on several international projects such as Slumdog Millionaire, Jurassic World, Inferno, Life Of Pi Y The namesake. Bollywood movie Middle Angrezi it is still his latest project.

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