Laxmii Movie Review: A Dudful Dud, starring Hammy Akshay Kumar


Laxmii Review: Akshay Kumar in a frame from the trailer. (courtesy Youtube)

To emit: Akshay Kumar, Kiara Advani, Sharad Kelkar, Rajesh Sharma, Ayesha Raza Mishra, Manu Rishi Chadha, Ashwini Kalsekar and Tarun Arora

Director: Raghava lawrence

Classification: 1 star (out of 5)

Luckily this film was forced by controversies to remove ‘Bomba’ from its title. Laxmii, broadcasting on Hotstar, never comes close to providing entertainment that can be considered explosive. If anything, it’s unnerving. Starring ill-advised Akshay Kumar as a man possessed by a transgender seeking revenge who returns from the dead to attend to unfinished business, it’s a terrible mess.

A specter of insufferable idiocy hangs over Laxmii.That’s too steep a barrier for the film to overcome, no matter how hard the actors try to inject life into a meaningless script. They are asked to carry the burden of boring jaws on their shoulders and flail desperately to hide the film’s regressive core. A difficult task.

The male lead of Laxmii, Asif (Akshay Kumar), does not believe in the existence of ghosts. If I meet a ghost, declare more than once, main chudiya pehen loonga (I’ll start wearing bracelets). Aside from being inconceivably offensive from a gender sensitivity perspective, her strange statement of intent makes as little sense as anything the rest of the film has to offer.

When the vengeful spirit takes hold of Asif, one of the first things the latter does is sport bright red bangles. He gnashes his teeth, hoots menacingly, and takes a swaying step to indicate that he is no longer the Asif his wife Rashmi (Kiara Advani) knows. The lady and her parents (Rajesh Sharma and Ayesha Raza) and her brother (Manu Rishi) and her sister-in-law (Ashwini Kalsekar) are alarmed by Asif “auraton waali harkatein“(female gestures). If you are a woman in the Laxmii universe, you can only be mocked.

In the middle of everything, the color of blood dominates: in addition to the red bracelets, there are red ones dupattas, red saris and red bindiis scattered everywhere Laxmii. But the movie, for its part, is never on a red-hot streak. All their sound and fury are reduced to nothing because they are spent in a disgusting thread that spins a hideously senseless web.


Kiara and Akshay in a still from Laxmii.

Laxmii, a remake by screenwriter / director Raghava Lawrence of his own 2011 Tamil hit Muni 2: KanchanaIt is a horror comedy that is more laughable than funny, more gruesome than gruesome. It is less of a movie than an egregious test devoid of any semblance of a bright spot.

The acting is vulgar despite the presence in the cast of characters such as Ayesha Raza, Rajesh Sharma, Manu Rishi and Sharad Kelkar (who appears at the end of the film and, in the handful of scenes he has, makes a much stronger performance impression than all the others together). But why blame the actors? They are as helpless as the audience, trapped in a strange story invaded by excess.


With Akshay Kumar putting himself in the shoes of the ‘male’ protagonist, the character undergoes a transformation. He is no longer a man so mortified by ghosts that he retires home before sunset. In LaxmiiHe is an intrepid hero, a rationalist who seeks to expose religious charlatans and put an end to stories of ghosts and demons. Of course, it’s another matter that is ultimately glad to be sucked into a vortex of outright nonsense revolving around an evil spirit determined to dole out bloody retribution to a vicious villain (Tarun Arora) and his henchmen.

LaxmiiIn a strictly superficial sense and manner, it flirts with subversion. The hero and his wife represent a Hindu-Muslim marital union opposed tooth and nail by a conservative patriarch whose infinitely more accommodating wife drinks alcohol straight from a pint-sized bottle and confronts him when she’s high enough. as if to warn you. wind.

Aside from that, the movie’s plot relies primarily on an accidental alliance that is forged between an Asif who doesn’t wear his religious identity on his sleeves and a Laxmii whose beliefs and practices are staunchly Hindu. The film breaks down religious divisions in significant ways, but prefers not to walk away with that act of bravery.

At the beginning of the film, one of the characters, the hero’s cheerful nephew, expresses his surprise that people still cannot break away from the Hindu-Muslim binary. The film progresses from there without offering any more expository comments, as if afraid to expand the idea and fully integrate it into the plot. Kuch toh gadbad haisays another character when things start to spiral out of control. We agree!

Laxmii it is infinitely worse when it seeks to advance on the question of gender identity and the importance of welcoming those who are different. With Akshay Kumar blatantly caricaturing his transgender avatar that is so crucial to the film, it becomes impossible to digest anything that Laxmii tries to articulate about the insensitivity of society towards the third gender. Neither the substance of his allegation nor the stridency with which it is intended to convey sounds authentic.


Akshay Kumar in a still from Laxmii trailer.

By presenting victimhood as the main point around which the revenge story revolves, the film robs the titular character of the dignity he deserves. Worse still, in the run-up to climax, he becomes grotesquely preachy. When you think it can’t go any lower, it does. It charts a steady, unbroken decline into unbridled insanity and certainly not of the inspired variety.

The first hour of the 140-minute film is dedicated to extracting joy from the encounters between Asif’s wife’s family and the apparition that lurks in the shadows and stalks their home. The effort produces nothing except a total bilge.

Therefore, do not expect jolts or chills down your spine. There are none unless you find terrifying sounds of crying and laughing from undisclosed sources or shadows on the wall, reflections in the mirror, flickering lights, a wooden horse rocking of its own accord, or bloodstained cricket stumps. petrifying.

The last hour of Laxmii It enunciates why the “evil” spirit has been hovering over an abandoned and fenced plot of land and its surroundings. The rest of the movie is based on the dark secrets that are buried there. The moment they’re dug up from the bowels of the earth, they’re stripped of the power to produce real surprises.

Laxmii, pure goofy, even by ghost story standards, it’s a movie best left alone. Even if you are a fan of Akshay Kumar, watch before you jump.


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